‘Nothing is really work unless you would rather be doing something else.’
— J.M. Barrie, author of ‘Peter Pan’
Standing on a ladder inside the Strand building in downtown Providence, Joseph Bautista was framed inside a small opening in a very big brick wall as he worked to replace a window on the building’s Mathewson Street side. I didn’t get more than his name, didn’t ask if he was a window guy, a builder or a carpenter specializing in the installation of windows.
But this much I could see: He labored on a ladder, Sisyphus with a saw, scaling the rungs again and again to fit a brand-new window into the 102-year-old wall. He sized and fit each board, nailed it in place and headed back down for another piece until the window was more than just panes. And then on to the next.
He reminded me of my late friend and neighbor Bob, a regular guy who learned a trade young and worked hard at mastering it. Bob knew floors like nobody I’ve known, and he was insanely good at installing and fixing them, mostly the industrial kind — carpet, wood, tile, vinyl — in places as big as malls and as small as my kitchen. To me, Bob was the Tom Brady of the conjured world we walk on, a master of all that is uniformly and beautifully flat.
Last year Brady signed a two-year contract for $41 million.
There’s no Super Bowl in the trades. Guys like Joe or Bob never make millions even if they’re the very best at window or floor installation. Their victories are quiet and often unseen. But they are victories still, everyday triumphs of astute perception, seasoned analysis and measured response.
Their fields are altogether different, and every Tom, Bob and Joe has his own game, his own playbook. But each knows both the joy of a play well executed and the pain of a botch. Maybe that’s why so many will be watching the Super Bowl on Sunday night. Maybe, beneath the height of the stakes and the froth of the spectacle, what they really hope to see is what they pursue at work every day: a job consummately well done.
copyright 2017 Kris Craig / The Providence Journal / 2 Much Time design